Kampong Glam is embodied with the old and new. With Singapore rapidly transforming in tourism, economics, education and culture, Singaporeans are becoming aware of the inevitable changes occurring within their country. The changes happening in Kampong Glam under the act to refurbish the neighbourhood can be described as ‘tense’ with architectural juxtapositions seen between Kampong Glam and its surrounding buildings.  The purpose of reconditioning the location was to bring life back into a forgotten past. Kampong Glam has undergone a few makeovers including the renovation of the Sultan Mosque (Eveland 2015), the transformation of Haji Lane (Hee 2015), the Malay Heritage Centre to name a few.

Image by :Joanne 

The Sultan Mosque, originally constructed in 1824, was in ruins by 1924c. which caused the government to act and with the design skill of Denis Santry (Eveland 2015), the religious building was given a new look. The mosque is important to the culture of Kampong Glam as it is a part of the Islamic culture that is majorly present in the neighbourhood. And although Kampong Glam is often associated with Malay Culture, many Malays tend to consider Geylang Serei as the “cultural heart of the Malay community”, whereas Kampong Glam is often just a geographical and historical reference of the Malay community’s past (Tantow 2012).

Despite being officially selected as the Malay-Muslim heritage district for conservation, due to its former association with Malay communalism, the Singapore government made no plans for refurbishment until 2000s, as they found it to be an inadequate symbol for multicultural harmony and there was no active support to revitalize it by the Malay community. When revitalization of Kampong Glam took place, Arab heritage and Muslim culture was emphasized and highlighted compared to Malay heritage. In terms of the history presented, more focus on the port settlement, trading and immigrants, rather than the Malay communalism. Additionally, according to Tantow (2012), due to this separation of the Malay and Muslim heritage, some Malays believe their community “unfit to be part of Singapore’s cosmopolitan legacy”. 

Continuing these sentiments, as stated in the book Historic District: Kampong Glam when young locals say:

“Singapore is too small. We can’t afford to keep the entire city in its original state as it will impede [our] progress.” -15-year-old-student

“So of course the economy comes first. If we really need to tear the old buildings down to build, I think we have to let go. I think with certain things, we have no choice, [they] really have to go.” -15-year-old student

Others, however, are positive about the situation of reconditioning the neighbourhood, as stated in the book Historic District: Kampong Glam when young locals say:

“It’s important. To know where we’re going to, we must remember where we came from.” – 16-year-old student

“It gives one a sense of history it keeps things about our culture that we enjoy.. we feel like we have something to hold to, or combe back when we think about our homeland. [It] feeds into national identity.” – 18-year-old student

“We need some things with a little bit of age to give us the feeling that it’s home, that home is a little older than we are.” -20-year-old-graduate

To briefly sum up our project, we are aiming to create a campaign which informs and emphasizes Malay heritage and culture, outside of Haji Lane and Bali Lane. After the refurbishment, it can be said that heritage has been lost within the gentrification of Kampong Glam. The only evidence of heritage and history left in Kampong Glam is through the architecture of shophouses, and the local businesses that still exist such as fishing shops. Furthermore, aside from the refurbishment made 6 years ago, there has been no further announcement made to continue the process.

Thus, our solution is to create a proposal to the government to refurbish 5 blocks. Within these 5 blocks, an interactive installation will be created that will inform local youths and newcomers of Kampong Glam’s heritage and culture through an artificial ceiling, workshops, light shows, puppet shows, and it will utilize the shop houses as blank canvases to create artworks on.

Reference List:

Eveland, J. 2015, Top 10 Singapore, DK Eyewitness Travels, United States

David Tantow, 2012. ‘Politics of Heritage in Singapore’, Indonesia and the Malay World, pp.332-353, DOI: 10.1080/13639811.2012.725553

Hee, J. 2015, Haji Lane: An Unofficial Shopping Guide, & A Look At Its History And Conservation, weblog, Vulcan Post, viewed 9 February 2017, <>

Urban Redevelopment Authority (Singapore) 1995, Historic District: Kampong Glam, Urban Redevelopment Authority, Michigan


Unified City-state of Singapore through Contemporary Architectural Design

“Designing is the process which we posit changes to the physical and virtual worlds in which we live through intentional acts.” -John Gero 2011

This definition is drawn from Gero’s book, Encyclopedia of Creativity, which explains the relationship between design, designing, the designer and the end user. It is a generic definition and can be applied to many situations. Design, however, evolves into different meanings depending on its context; architectural design, mechanical, electronic, industrial, textile (Gero 2011), contemporary, modern, retro (Smart 2016) or eco-design (Macdonald E.F. & She, J. 2015) – all of these types of designing methods are perceived differently under different contexts. Take a mosque built in Sydney as an example, it is a piece of architectural design that would be accepted and perceived differently under a local context, or inner context, or even cultural context. All various contexts are present at once yet one design piece has many interpretations.

This blogpost will look into the ways design is shaped by local context – specifically in Singapore, it will also explore contemporary architectural design projects created by Wallflower Architecture + Design, and discuss some knowledge that is being developed around Singapore’s social, cultural, economic and historical context, prior to visiting the country.

Since Singapore is an island city-state that houses a diverse 5.4 million people, its compact land allows for a close-knit, bustling environment that helps build local businesses grow as well as create a unified profile on the city-like country. The design of the famous food halls, hawker centres, are an expression of multicultural unification. It is a place where culinary experience from many cultures can be found and eaten for cheap; local dishes such as Hokkien Mee and Chicken Rice can be bought from $2.50-$5.00 (The Best Singapore 2016). Singaporean etiquette design is not lacking in culture as there is a particular way of doing things when it comes to hawker centres. An example would be to place your pack of tissue paper on an empty seat to claim your spot while you wait in line to order food. It is a local, unspoken rule – you won’t lose your seat, and having that peace of mind will aid in choosing the right dish for yourself (Hansen 2011).

The local design development of another part of Singapore is the neighbourhood of Tiong Bahru, its transformation of being the first housing estate in Singapore in the 1930’s, to becoming a ‘hot new hipster neighbourhood’, yet retaining some of its historic ‘ramshackle charm’ is a prime example of how design is shaped by local context (Polland 2013).

Wallflower Architecture + Design is a well recognised design firm in Singapore that work on both commercial and residential projects. One of its recent developments in 2015 called, Secret Garden House, is an aesthetic example of contemporary design in Bukit Timah, Singapore. It is a residential space that encompasses the aspect of privacy, land awareness, greenery and smart choices in material usage (Wallflower Architecture + Design 2015). Contemporary design means to be ever-changing, fluid, or of-the-moment (Smart 2016), and Singapore is a city-state which values environmental sustainability, design technology and appropriate privacy, hence as of now, this design piece, The Secret Garden is a prime example of contemporary design in Singapore. There are other developments in Singapore that are also great examples of contemporary design in Singapore such as the Water-cooled house (Wallflower Architecture + Design 2015) and Foster and Partner’s South Beach project (Foster and Partners 2016).

(Secret Garden House 2015)

It can be seen that Singapore is a country that is rich in culture, not of just one but many cultures – the combination becoming Singapore’s own unique culture. The social side of Singapore is an obvious bright, bustling, lively city that is known to be a popular tourist centre. It caters not only for its locals but incoming sightseers that want a taste of Asia from a well-developed point of living. It has cafés, cheap restaurants providing a wide range of asian cuisines; its multilingual society adds to the unification of the many cultures and helps tell the story of Singapore’s history. The country’s economic and historical context are no secret to the rest of the world, with its famous label as part of the Four Asian Tigers, its rapid growth was unmatched due to physical and capital accumulation (Barro 1998).

Reference List:

Barro, R.J. 1998, ‘The East Asian Tigers have plenty to roar about’, Economic Viewpoint, in press.

Foster and Partners 2016, South Beach, corporate website, United Kingdom, viewed 25 January 2017, <>

Gero, J.S. 2011,  in Runco, M.A. and Pritzker, S.R. (ed.), Encyclopedia of Creativity, 2nd edn, Elsevier Inc., Amsterdam.

Hansen, C. 2011, A Beginner’s Guide to the Singapore Hawker Center, Serious Eats, weblog, viewed 24 January 2016, <>

Macdonald E.F. & She, J. 2015, ‘Seven cognitive concepts for successful eco-design’, Journal of Cleaner Production, vol. 92, pp. 23-36.

Polland, J. 2013, Take A Walk Around Singapore’s Hot New Hipster neighbourhood, Business Insider, weblog, Australia, viewed 24 January 2017, <>

Smart, B. 2016, What is Contemporary Design?, weblog, Homedit, viewed 23 January 2017, <>

The Best Singapore 2016, The 5 Best Hawker Centres in Singapore, weblog, Singapore, viewed 24 January 2017, <>

Wallflower Architecture + Design 2015, Secret Garden House, Portfolio, Wallflower 624, Singapore, viewed 24 January 2016, <>


Secret Garden House 2015, Wallflower Architecture + Design, viewed 26 January 2017,<>